Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Tuesday, October 28, 2014

serendipity {№3}


last week i spent a few days on the beautiful outer banks of north carolina and attended my third art retreat there. this was a year i expected to go without the space and grace of a creative kindred gathering, but the stars aligned and a few of my work classes were cancelled during the week of serendipity.  i couldn't attend the full time of the retreat, but i fully lived two days of love and creativity and stayed offsite in a lovely and peaceful home.*

i spent one day writing in a circle led by two remarkable women, amy and maya, the founders of food for the soul train.  the writing exercises were powerful and we all brought our courage and love when it was time to share our words.  i loved that the deep intensity of the writing was lightened by humor woven throughout, an egg-in-spoon relay race on the lawn, writing in the sand and making tiny books, maya-and-amy-style.

my second day was spent soaking up the goodness of artist alena hennessy.  the way alena welcomed us and created a warm and gentle space was so lovely and inspiring.  when i attended my very first art retreat in 2009, the painting class i signed up for was the scariest thing on my schedule.  five years later, thanks to many talented and gracious teachers, painting is where i feel most myself.

as always, words seem a bit hollow when trying to describe retreat time.  so i will let photographs tell the story.

some serendipity loveliness:


amy and maya.


my wind-whipped dress finishing my sand sentence for me.


letting the ocean take the words.


making tiny books.


brilliant songbird chelsea making her tiny book.


a prayer.


these words, spoken by maya.


these colors.


beautiful, soulful alena at work.


one of my paintings (photo by alena).


little miracles.


tiny b, serendipitied.


nags head being perfect in october.


a morning mandala meditation that turned into the sacred blue heart of seaglass mary, created with bits from dawn's collection, with the help of a purring muse.


at serendipity if you wander too long on the beach at sunset and the colorful houses start to look the same in the dimming light, you can always find your way back.

listen for the laughter.
look for the twinkle lights.

other moments (of so many) i want to remember:

  • creating with lavi, sharing space with her in both classes.
  • the time in painting class when we were all absorbed in our own work, the ocean roaring outside the doors, and we spontaneously began singing along to mumford and son.
  • holly's radiant face beneath her woodland crown.  
  • chelsea's song about her parents' marriage.
  • the vibrant orange butterfly that just appeared over stevie's head while she was talking about transformation.
  • jen lee and tim manley and the art of friendship.
  • the relatively sedate atlantic ocean, behaving like my wild pacific.
  • jessica.  we connected briefly at serendipity 2011, had a facebook friendship for three years and it was like we completely knew each other, like we've been friends for years.  i love it when that happens.
  • that this is what happens in this far flung community of kindreds:  we share physical space for brief moments, each year if we are lucky, but once connected, we share heart space forever.

previous outer banks art retreat love here, here, here and here (last two are squam-by-the-sea).



*this was the first time i stayed offsite during a retreat (almost always a registration option) and i noticed how this supported my introverted self even if i still missed some of the togetherness and new-friend-making that comes from staying in the retreat houses.  i'm pulling together a future blog post with some observations and tips for introverts while art retreating.  i know the large-groupness of it all can be a challenge and that some introverts might avoid the experience altogether, which is truly a loss for all of us.

Sunday, July 13, 2014

sunday grace

{the backyard at gypsy hill}


where i'm from
by george ella lyon

i am from clothespins,
from clorox and carbon-tetrachloride.
i am from the dirt under the back porch.
(black, glistening,
it tasted like beets.)
i am from the forsythia bush
the dutch elm
whose long-gone limbs i remember
as if they were my own.

i'm from fudge and eyeglasses,
          from imogene and alafair.
i'm from the know-it-alls
          and the pass-it-ons,
from perk up! and pipe down!
i'm from he restoreth my soul
          with a cottonball lamb
          and ten verses I can say myself.

i'm from artemus and billie's branch,
fried corn and strong coffee.
from the finger my grandfather lost
          to the auger,
the eye my father shut to keep his sight.

under my bed was a dress box
spilling old pictures,
a sift of lost faces
to drift beneath my dreams.
i am from those moments--
snapped before i budded --
leaf-fall from the family tree.

___

last year at the creative joy retreat, jen louden read this poem to us and then instructed us to write our own "where i'm from".  this was such an amazing exercise.  even as the memories of those october retreat days grow hazy, the voices of women reading the words they strung together around this theme echo clearly in my mind and heart.  as each sixty second poem was read, i learned more about each of them than if we had spent hours or days or weeks becoming acquainted the regular old ways.

my own, which includes a daughter of apache warriors, pacific tidepools, backyard dinners (a tradition that continues), a roller-skating grandpa, avocado groves, flying dumbos and the smell of my eight-year-old summer skin (chlorine, heat, dove soap and watermelon paleta drips), is treated as a work in progress, a place i go when i need clarity.  and respite.

click here to read some other ideas on how to explore this personal history writing exercise on your own.

when we can gather up and dust off our childhoods and family histories and gaze upon them with the relative objectivity of distance, time and adult perspective; when we can hold them with curiosity, gratitude and possibly forgiveness; when we can claim, write about and share those things that made us and sit with who we are and where we come from, that is grace.

Wednesday, August 3, 2011

august break {№3}


old and long forgotten:  a girl's dream of being a writer.

for bella's 52 photos project.

Wednesday, August 19, 2009

happy wednesday

writing makes me happy. learning to write better makes me happy. not having enough time to write does not make me happy. this is what I'm faced with this morning. so I'll be back later to fill the space...

...I'm back with a free moment that I'd like to spend here with you all for happy week. I've been playing around with the concept of story in recent months. I love to read and listen to a good story; I've always wanted to tell a good story. throughout my life, I've had multiple characters and plots take up residence in my head and make themselves comfortable. I want to move them out to the world. but in a way that they maintain the magic that is theirs. I always hold back, partly because I feel a weird connection to them and have a strange desire to keep their confidences and partly because when I've started a storytelling endeavor in the past, it comes out different than I want. the story is there, it's the craft I need to work on.

earlier this summer, I received the best compliment ever. I was talking with a friend/colleague who is brilliant (not only in her heart and humor but in her smarts...the girl's getting a judgeship any day now!). I was blabbing along and she was staring at me with a weird look. I stopped talking and she said softly, "you speak like a novel." I was floored. I almost cried. no one has ever said anything like that to me before.

I am not one to take something that I felt so profoundly and dismiss it. so I want to see what's there; to see if I can nurture this thing, this energy, into something people might like to hear or read. I'm taking two storytelling workshops at squam and have been reading a few books here and there to create a bit of scaffolding in which to dabble.

I'm open to producing, but still feel protective about my stories, so I'm going to take this nice and slow. the process of learning and fine-tuning and spending more quality time with the beautiful, tragic and amazing lives in my head and heart is making me truly happy.

p.s. the art in the background is by the lovely sabrina ward harrison. it reads "more joy and metaphor" and "trust".